Chapter 35
Troilus and Briseida in the Western literature
From the Middle Ages to the present
This chapter analyzes the figure of Troilus and the motif of the love triangle, consisting of him,
Briseis, and Diomedes from the De excidio Troiae of Dares Phrygius to contemporary literature. We
focus specifically on the medieval works that influenced the representation of these three characters and their
relationship. We examine their roles in Dares’ work, in the Roman de Troie of Benoît de Sainte-Maure,
in Guido delle Colonne’s Historia destructionis Troiae, in two epics of the XII and XIII centuries
(De bello Troiano of Joseph of Exeter and Troilus of Albert of Stade) and in
three more familiar pieces, namely Boccaccio’s Il Filostrato, Chaucer’s Troilus and
Criseyde, and Shakespeare’s Troilus and Cressida, to end with a quick review of the
theme from that moment until the present. The representation of the characters and their triangle was formed in the
Roman de Troie following Dares, and each author who developed the story used the tradition but
added his own special touches.
Article outline
- Introduction
- The origins of the love story: Dares Phrygius and Benoît de Sainte-Maure
- Guido delle Colonne
- Different treatments after the Roman de Troie: Ylias Daretis Phrygii and Troilus
- Boccaccio
- Geoffrey Chaucer
- William Shakespeare
- Conclusions
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Notes
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References