Chapter 32
Between history and fiction
This piece explores some of the devices used by Medieval historiographers to assure their audience
of the veracity of the contents of their narratives. It outlines central Medieval concepts of truth, lies, and
fiction, the marvelous and the wondrous, and the standards for historicity and for credibility. The article highlights
the pains the authors took to ensure that the readers placed their belief in what was told to them. This leads to a
final question. Could the same strategies that were employed to establish a contract of veridiction be employed to
establish a much more limited form of narrative truth, the suspension of disbelief? As is shown, these strategies are
found in some truly incredible texts.
Article outline
- Introduction
- The rhetorical triad and the level of content
- Medieval realism
- Authenticating devices
- Signs of fictionality (?)
- Conclusion
- Further reading
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Notes
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References