References (65)
References
Auden, W. H. 2015. The Complete Works of W.H. Auden: Prose. Volume 5: 1963–1968, ed. by Edward Mendelson. London: Faber.Google Scholar
Beaty, Jerome. 1960. Middlemarch from Notebook to Novel. A Study of George Eliot’s Creative Method. Urbana, IL: University of Illinois Press.Google Scholar
Bell, H. I. 1933. “The George Smith Memorial Bequest.” The British Museum Quarterly 8 (2): 79–80.Google Scholar
De Biasi, Pierre-Marc. 1996. “What is a Literary Draft? Toward a Functional Typology of Genetic Documentation.” Yale French Studies 89: 26–58.Google Scholar
Bowers, Fredson. 1964a. “Some Principles of Scholarly Editions of Nineteenth-Century American Authors.” Studies in Bibliography 17: 223–228.Google Scholar
. 1964b. Bibliography and Textual Criticism. Oxford: Clarendon Press.Google Scholar
Brontë, Charlotte. 1980. Jane Eyre, ed. by Margaret Smith, intro. by Juliette Atkinson. Oxford: Oxford University Press.Google Scholar
Browning, Robert. 2009. The Poetical Works of Robert Browning volume XV, ed. by Stefan Hawlin, and Michael Meredith. Oxford: Clarendon Press.Google Scholar
Bushell, Sally. 2009. Text as Process: Creative Composition in Wordsworth, Tennyson, and Dickinson. Charlottesville, VA: University of Virginia Press.Google Scholar
Butler, Joseph. 1836. Fifteen Sermons Preached at the Rolls Chapel [etc.], intro. R. Cattermole. London: Joseph Rickerby.Google Scholar
Butt, John, and Kathleen Tillotson. 1957. Dickens at Work. London: Methuen.Google Scholar
Byron, [George Gordon, Baron]. 1980–93. Complete Poetical Works. 7 vols, ed. by Jerome J. McGann and Barry Weller. Oxford: Clarendon Press.Google Scholar
Coleridge, Samuel Taylor. 1956–71. The Collected Letters of Samuel Taylor Coleridge. 6 vols, ed. by Earl Leslie Griggs. Oxford: Clarendon Press.Google Scholar
. 1975. Biographia Literaria, ed. by George Watson. London: Dent.Google Scholar
Cross, J. W. 1885. George Eliot’s Life, as Related in her Letters and Journals, Arranged and Edited by her Husband, J. W. Cross. 3 vols. Edinburgh: Blackwood.Google Scholar
Dickens, Charles. 2008. Great Expectations, ed. by Margaret Cardwell, intro. by Robert Douglas Fairhurst. Oxford: Oxford University Press.Google Scholar
Dooley, Allan C. 1992. Author and Printer in Victorian England. Charlottesville, VA: University Press of Virginia.Google Scholar
Eliot, George. 1954–1978. The George Eliot Letters. 9 vols, ed. by Gordon S. Haight. New Haven, CT: Yale University Press.Google Scholar
. 1992. Middlemarch, ed. by David Carroll. Oxford: Clarendon Press.Google Scholar
. 1986. Middlemarch, ed. by David Carroll. Oxford: Clarendon Press.Google Scholar
Gabler, Hans Walter. 1999. “Genetic Texts – Genetic Editions – Genetic Criticism or, Towards Discoursing the Genetics of Writing.” In Problems of Editing, ed. by Christa Jansohn, 59–78. Tübingen: Niemeyer.Google Scholar
. 2018. “The Draft Manuscript as Material Foundation for Genetic Editing and Genetic Criticism.” In Text Genetics in Literary Modernism and Other Essays, 209–220. Cambridge: Cambridge University Press.Google Scholar
Gaskell, Elizabeth. 2009. The Life of Charlotte Bronte, ed. by Angus Easson. Oxford: Oxford University Press.Google Scholar
Gaskell, Philip. 1972. A New Introduction to Bibliography. Oxford: Clarendon Press.Google Scholar
. 1999. From Writer to Reader: Studies in Editorial Method. Winchester: St Paul’s Bibliographies.Google Scholar
Greg, W. W. 1966. “The Rationale of Copy-Text.” In The Collected Papers of Sir Walter W. Greg, ed. by J. C. Maxwell, 374–391. Oxford: Clarendon Press.Google Scholar
Hardy, Thomas. 1982–95. The Complete Poetical Works of Thomas Hardy. 5 vols, ed. by Samuel Hynes. Oxford: Clarendon Press.Google Scholar
. 1978–2012. The Collected Letters of Thomas Hardy. 8 vols, ed. by Richard Little Purdy and Michael Millgate. Oxford: Clarendon Press.Google Scholar
Hopkins, Gerard Manley. 1990. The Poetical Works of Gerard Manley Hopkins, ed. by Norman H. Mackenzie. Oxford: Oxford University Press.Google Scholar
. 2013. The Collected Works of Gerard Manley Hopkins, Correspondence. 2 vols, ed. by R. K. R. Thornton and Catherine Phillips. Oxford: Oxford University Press.Google Scholar
Housman, A. E. 1997. The Poems of A.E. Housman, ed. by Archie Burnett. Oxford: Clarendon Press.Google Scholar
Knight, William. 1897. “A Reminiscence of Tennyson.” Blackwood’s Edinburgh Magazine 162: 264–270.Google Scholar
Kelliher, Hilton. 1994. “The Kubla Khan Manuscript and its First Collector.” British Library Journal 20 (2): 184–198.Google Scholar
Lamb, Charles. 1929. Miscellaneous Essays and Sketches, ed. by William MacDonald, intro. by Robert Lynd. London: J. M. Dent.Google Scholar
Leader, Zachary. 1996. Revision and Romantic Authorship. Oxford: Clarendon Press.Google Scholar
McGann, Jerome J. 1983. A Critique of Modern Textual Criticism. Chicago: University of Chicago Press.Google Scholar
1988. The Beauty of Inflections: Literary Investigations in Historical Method and Theory. Oxford: Oxford University Press.Google Scholar
Mahrer, Rudolf. 2017. “La plume après le plomb. Poétique de la réécriture des œuvres déjà publiées.” Genesis 4: 17–38.Google Scholar
Millgate, Michael. 1992. Testamentary Acts. Browning, Tennyson, James, Hardy. Oxford: Oxford University Press.Google Scholar
Moore, Nancy Goslee. 2011. Shelley’s Visual Imagination. Cambridge: Cambridge University Press.Google Scholar
Mynors, R. A. B. 1963. Catalogue of the Manuscripts of Balliol College Oxford. Oxford: Clarendon Press.Google Scholar
Norrington, A. L. P. 1948. “Say Not the Struggle Nought Availeth.” In Essays Mainly on the Nineteenth Century Presented to Sir Humphrey Milford, 29–41. London: Oxford University Press.Google Scholar
Raven, Andrew. 2017. “In the Archives with Lamb, Shelley and D’Israeli: Romantic Attitudes to Literary Manuscripts and Draft Materials.” The Keats-Shelley Review 31 (1): 87–93.Google Scholar
Rogers, Neville. 1967. Shelley at Work. A Critical Inquiry. 2nd edn. Oxford: Clarendon Press.Google Scholar
Rossetti, Christina. 1979–90. The Complete Poems of Christina Rossetti: A Variorum Edition. 3 vols, ed. by R. W. Crump. Baton Rouge, LA: Louisiana State University Press.Google Scholar
Stillinger, Jack. 1994. Coleridge and Textual Instability: The Multiple Versions of the Major Poems. New York; Oxford: Oxford University Press.Google Scholar
Sullivan, Hannah. 2016. “Why do Authors Produce Textual Variation on Purpose? Or, Why Publish a Text That is Still Unfolding?Variants 12–13: 77–103.Google Scholar
Sutherland, Kathryn. 2012. “Jane Austen’s Dealings with John Murray and his Firm.” Review of English Studies NS 64: 105–126.Google Scholar
Tanselle, G. Thomas. 1975. “Greg on Copy-Text and American Literature.” Studies in Bibliography 28: 167–229.Google Scholar
. 1976. “The Editorial Problem of Final Authorial Intention.” Studies in Bibliography 29: 167–211.Google Scholar
. 1981. “Recent Editorial Discussion and the Central Questions of Editing.” Studies in Bibliography 34: 23–65.Google Scholar
[Tennyson, Hallam.] 1897. Alfred, Lord Tennyson. A Memoir by his Son. 2 vols. London: Macmillan.Google Scholar
Tennyson, Alfred Lord. 1987. The Poems of Tennyson. 2nd edn. 2 vols, ed. by Christopher Ricks. London: Longman.Google Scholar
. 1987–93. The Tennyson Archive. 31 vols, ed. by Christopher Ricks and Aidan Day. New York: Garland Pub.Google Scholar
Thorpe, James. 1972. Principles of Textual Criticism. San Marino, CA: Huntington Library.Google Scholar
Tinker, C. B., and H. F. Lowry. 1940. The Poetry of Matthew Arnold: A Commentary. Oxford: Oxford University Press.Google Scholar
Valéry, Paul. 1957–60. Œuvres. 2 vols, ed. by Jean Hytier. Paris: Gallimard.Google Scholar
Van Hulle, Dirk. 2014. “Modelling a Digital Scholarly Edition for Genetic Criticism: A Rapprochement.” Variants 12–13: 34–56.Google Scholar
. 2019. “Towards a Comparative History of the Literary Draft.” Archiv für das Studium der neueren Sprachen und Literaturen 256: 1–17.Google Scholar
Wordsworth, William. 1850. The Prelude, or Growth of a Poet’s Mind. London: Edward Moxon.Google Scholar
. 1940–9. The Poetical Works of William Wordsworth. 5 vols, ed. by E. de Selincourt and Helen Darbishire. Oxford: Clarendon Press.Google Scholar
. 1959. The Prelude or Growth of a Poet’s Mind, ed. by Ernest de Selincourt, rev. by Helen Darbishire. Oxford: Oxford University Press.Google Scholar
. 1977a. Home at Grasmere. Part First, Book First of The Recluse, ed. by Beth Darlington. Ithaca, NY: Cornell University Press.Google Scholar
. 1977b. The Prelude, 1798–1799, ed. by Stephen Parrish. Ithaca, NY: Cornell University Press.Google Scholar
Wordsworth, Jonathan. 1992. “Revision as Making: The Prelude and Its Peers.” The Bucknell Review 36: 85–109.Google Scholar