Part of
A Comparative History of the Literary Draft in EuropeEdited by Olga Beloborodova and Dirk Van Hulle
[Comparative History of Literatures in European Languages XXXV] 2024
► pp. xi–xiv
Edited by Olga Beloborodova and Dirk Van Hulle
[Comparative History of Literatures in European Languages XXXV] 2024
► pp. xi–xiv
List of figures
Introduction
Figure 1.The Ormulum. Oxford, Bodleian Library, MS. Junius 1, fols 7v–10r
Chapter 1.1.4
Figure 1.William Wordsworth, Ms. JJ (DC MS 19), Xv, The Wordsworth Trust
Chapter 1.2.2
Figure 1.A. S. Pushkin. Kavkazskii plennik [The Prisoner of the Caucasus], edited by Yakushkin and by Bondi
Figure 2a.A. S. Pushkin. Domik v Kolomne [The Little House in Kolomna], octave III. PD 915, in Pushkin 2013: 1.291, compared Gofman
1922a:41
Figure 2b.A. S. Pushkin. Domik v Kolomne [The Little House in Kolomna], octave III. Gofman 1922a:41 compared to Pushkin
1937–1949: 5.374
Figure 3.Excerpt from Pushkin’s “Podrazhaniia Koranu” [Imitations of the Koran]. Digital Academic Edition of Pushkin (https://www.pushkin-digital.ru)
Chapter 1.2.4
Figure 1.W. B. Yeats. Last Poems: Manuscript Materials, ed. by James Pethica (1997: 390–391)
Chapter 1.2.5
Figure 1.J. W. Goethe. On the general morphology. Notes and drawings on a theory of ‘Gestalt’ (formation). Corpus V B No. 86. GSA
26/LXIII,2,3, fol. 167r. Klassik Stiftung Weimar
Figure 2.Table of contents of the repertory of Goethe’s repository by Friedrich Theodor David Kräuter (1822). GSA 39/I,1a. Klassik
Stiftung Weimar
Chapter 1.2.6
Figure 1.Blaise Pascal, Pensées sur la Religion, Département des manuscrits français 9202, f. 79, gallica.bnf.fr /
Bibliothèque nationale de France
Figure 2.Victor Hugo, La Légende des siècles (pièces annexes), NAF 24758, f. 3, gallica.bnf.fr / Bibliothèque nationale de
France
Chapter 1.2.7
Figure 1.L. Ariosto, Orlando Furioso, Biblioteca Nazionale di Napoli, San Martino, ms. S.Mart.353
Figure 2.A. Manzoni, Fermo e Lucia, Biblioteca Nazionale Braidense, t. I, c. 92a
Figure 3a.C. E. Gadda, Eros e Priapo, c. 474, Archivio Liberati
Figure 3b.G. Bassani, Il Giardino dei Finzi Contini, I, p. 12, Biblioteca Comunale Ariostea
Chapter 1.2.9
Figure 1.Dany Laferrière, Vers d’autres rives (2019). Éditions de l’Aube
Figure 2.Dany Laferrière, “Paris à toute vitesse”, from Autoportrait (2018). Éditions de l’Aube
Figure 3.Dany Laferrière, “Nous deux à Paris”, from Autoportrait (2018). Éditions de l’Aube
Chapter 1.3.3
Figure 1.MS Ward B (Notebook of Samuel Ward) 6v–7r, Sidney Sussex College
Chapter 2.1.1
Figure 1.Jane Austen, The Watsons. University of Oxford, Bodleian Libraries, MS. Eng. e. 3764, fols. 43r, 44v, 45r,
41v
Figure 2.Jane Austen, Volume the First. University of Oxford, Bodleian Libraries, MS. Don. e. 7, 32–33
Figure 3.Jane Austen, The Watsons. University of Oxford, Bodleian Libraries, MS. Eng. e. 3764, fols. 30v, 42r,
37r
Figure 4.Transcript in Arabic characters begun by John Gagnier on cording quires or outsides, paper with major papermaking flaws.
University of Oxford, Bodleian Libraries, MS. Bodl. Or. 311, fol. 16a
Figure 5.Stanzas and biblical paraphrases written by John Clare in the margins of a copy of The Lincoln, Rutland and
Stamford Mercury, 3 September 1841. University of Oxford, Bodleian Libraries, MS. Don. a. 8, fol. 3r
Chapter 2.3.2
Figure 1.The first glimpse of a Dalek at the end of Doctor Who, “The Daleks”, episode one. BBC, 1963
Figure 2.The Daleks revealed at the start of Doctor Who, “The Daleks”, episode two. BBC, 1963
Chapter 2.3.3
Figure 1.Henri Labrouste, Bibliothèque Nationale, design phases. Drawing: Georgia Xypolia
Figure 2.Otto Wagner, Postsparkasse, interior in 1910. Bildarchiv Foto Marburg
Figure 3.O. M. Ungers, Quadratherstrasse library addition, design studies. Ungers Archiv für Architekturwissenschaft
Chapter 2.3.4
Figure 1.(a) middle C notehead; (b) middle C crotchet/quarter note; (c) progression from middle C to D-flat; (d) same progression in
a musical context
Figure 2.F. Chopin, sketch page for Barcarolle Op. 60, c. 1846. PL-Wmfc: M/233. Image from “Chopin heritage in open access,”
Fryderyk Chopin Institute, Warsaw (https://chopin.musicsources.pl)
Figure 3.F. Chopin: Mazurka Op. 7 No. 4, c. 1832
a.PL-Wtm: WTM Ch/14. Reproduced with permission from the Muzeum i Archiwum Warszawskiego Towarzystwa Muzycznego im.
Stanisława Moniuszki, Warsaw
b.PL-Kj: Muz. Rkp. 2207. Reproduced with permission from the Biblioteka Jagiellońska, Kraków
c.French first edition, 1833. From the collections of the Hanna Holborn Gray Special Collections Research Center, the
University of Chicago Library, call number: M32.C54M441
Figure 4.F. Chopin: Mazurka Op. 7 No. 4, c. 1832, in three versions
Figure 5.F. Chopin: Waltz in F minor, in The Complete Chopin, ed. Grabowski 2006. Reproduced by permission of Faber
Music Limited, London
Figure 6.F. Chopin: One of two surviving sketch pages for Berceuse Op. 57. PL-Wmfc: M/2165. Image from “Chopin
heritage in open access,” Fryderyk Chopin Institute, Warsaw (https://chopin.musicsources.pl)
Figure 7.Changing notations in Chopin, Prelude Op. 28 No. 4
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